Introduction:- The Story Of Mandakini Mathur, Providing Employment Through Rock Dhokra artifacts in Devrai Art Village
Humanity is our ultimate community, and everyone plays a crucial role. Every journey has a story behind it.
It’s not easy to follow your calling, unless you have the willpower to sustain the ups and downs.
DEVRAI ART VILLAGE IS AN ENDEAVOR BY MANDAKINI MATHUR, WHO INITIATED THE ROCK DHOKRA ART (NOW PATENTED),
To support the artisan community from far and wide, where all could thrive. In the Rock Dhokra process, stone and Brass fuse together using the lost wax technique under stringent temperature conditions to form a unified whole.
The artist’s eye is apparent in the visualization of a tangible shape around a core piece of rock.
THE USE OF SCULPTED STONE NOW HAS GIVEN A NEW DIMENSION TO THEIR ROCK DHOKRA CREATIONS.
Mandakini has established this Art village in Panchgani, a small hill town near Pune, Maharashtra.
Mandakini grew up in Gwalior, Madhya Pradesh. Her father, being in the armed forces, wanted her to follow science and she took up Bio Chemistry, but then she flew off at a tangent and did English Literature (Hons) instead, from Delhi.
At times, one needs to have clarity on what one really wants to do in life, and she made her decision to shift to the creative field at the right time, against her family’s decision.
But she humbly says, she did make them proud with her achievements.
Her Aunt Vanmala was a star in the cinemas and influenced her deeply in art, history, poetry etc, in her formative years. During her college education, she got lured into the world of French literature.
She enrolled in JNU for a five-year integrated programme in French in the School of Languages and continued M.Phil in French cinema from the University Of Sorbonne, Paris.
LIFE IS NOT ALWAYS SMOOTH. GOING TO PARIS ON A SCHOLARSHIP WAS A DREAM COME TRUE AND IT HAPPENED A YEAR AFTER HER MARRIAGE IN MUMBAI.
It was a difficult challenge to convince her in-laws to let their “bahu” go for a year to Paris without her husband. Her husband Atul was however very supportive and encouraging.
Once she returned, they lived in Mumbai for eight years,then moving to Panchgani with two kids, seven and three, was yet another turning point.
Exploring the forests of Mahabaleshwar and documenting all the stories linked with its dark secrets became an obsession. This is what lured her into the world of filmmaking. This made her travel for her documentaries and this enriching journey created a trail into the vast wilderness of Bharat’s cultural landscape.
She has been making feature and documentary films on issues of environmental concern, Indic culture, spirituality and on child centric themes.
She writes scripts, stories and poetry. Her work includes – Aapa-Akka , Tiger’s Cry around the theme of Indian wildlife over a seventy-year time span. Her film, River Goddess was commissioned for exhibition at a nine-month long Festival of Hinduism at the TropenMuseum, Amsterdam. The film was also awarded at the UGC sponsored educational film festival.
SHE HAS PUBLISHED TWO BOOKS – ‘RADHA, POEMS OF LOVE’ AND ‘END OF THE CIRCLE’.
SHE IS ON THE ADVISORY BOARD OF NCERT FOR THE DEPARTMENT OF ART AND AESTHETICS.
In this capacity she is working on the NEP’s stated aim of Art Integrated Learning. She has produced English Teaching Audiovisual Resource material for children from marginalized communities and vernacular medium schools.
This includes short films and accompanying books with spin-off interactive exercises.
She has also written and directed more than fifteen plays, which have been performed as street plays and on stage as well.
In 2008 she founded Devrai Art Village, an NGO that strives to empower indigenous craftsmen and women through their art and evolve traditional art forms to suit modern sensibilities.
A local Adivasi art teacher wanted a space for three of his village artisans to work. The Devrai property with its platform under the ancient ficus tree seemed ideal.
Mandakini took up this opportunity little realising that her acceptance would be fulfilling a higher purpose in the grand scheme of things. Thus was Devrai Art Village born.
Over time they grew into a team of over 50 artisans, men and women, from the Naxalite affected regions of Bastar and Gadchiroli who found a means of not just livelihood but a sense of dignity and pride as well.
Interestingly they also employ post graduates from Sir JJ School of Art, thus creating an environment where traditional skill and modern aesthetic sensibilities blend seamlessly to create artifacts rooted in the Indic tradition yet universal in appeal.
See www.devraiartvillage.com for more details.
Mandakini Mathur | Devrai, Panchgani CHS, Panchgani 412805, India | mandakini.mathur@gmail.com | +91 99233 39726
Writen
by Mahima Gir Mehra
written for www.nomadlawyer.org
#salamatraho Initiative.
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